Moby's Seventeenth Album 'All Visible Objects' is a Career Reflection

Over his 30 year plus music career, Moby has evolved from a techno dance master to an alternative pop hit maker to an Avant-Guard tone poem composer.  With his new album ‘All Visible Objects’, he takes all of these musical styles and genres and puts them together on a single record.

The album can be divided into two parts. The first part is very disco-y dance pop heavy with tracks like Morning Side, Refuge, or Power is Taken. In fact, any of these new songs would fit perfectly alongside his earlier work like My Beautiful Blue Sky, Drop a Beat, or Electricity. (All of these tracks can be found on his self-titled debut and sophomore follow-up ‘Ambient’.) It’s safe to say, this first part will have you reminiscing for early 90s techno.

The second part of the album consists of the final four songs, and is more in line with his later, more melodic albums ‘Wait for Me’, ‘Destroyed’, or ‘Innocents’. Rich in melody and clocking in at a whopping 33 minutes 19 seconds, these final songs illustrated Moby’s skill at composing beautiful and haunting songs.

So, the question, does this album work? In all openness, I don’t know. I think ‘All Visible Objects’ would best be served by picking one musical style and sticking to it. The changes in genres can be very jarring, due to how different they are. For example, the opening track Morning Side is followed by a melodic song My Only Love, which is then followed by a massive dance song Refuge. The dancing themes go through the rest of the album until the final four tracks. I should mention, in full disclosure, I do prefer Moby’s latter, more melodic work. So the second part of this album is what I will be going back to in the future.

But, if you are looking for an album that could serve as a retrospect of Moby’s entire career, capturing his musical evolution, this might just be the album for you. There isn’t a “standout” single, but taken as a whole, you’ll get a great view of Moby’s career.

'Esmé Patterson Channels Ray Bradbury on Latest Album ‘There Will Come Soft Rains’

So I wrote an album review for WXAV.com. I think it turned out pretty good. I hope you enjoy it and listen to the album.

‘There Will Come Soft Rains’ isn’t just a short story in Ray Bradbury’s seminal work The Martian Chronicles; it’s also the title and inspiration of Esmé Patterson’s fourth solo album released in March of 2020.

I first heard of Patterson a few years ago when she and William Elliott Whitmore participated in the ‘Play Each Other’s Songs’ series. I was immediately taken by Patterson’s cover of ‘Not Feeling Pain Anymore’. Her vocal performance on the song is utterly beautiful. There’s a strength to her voice that is yet underlined by a vulnerability that creates this balance that immediately connections the listener to her.

Needless to say, that strength and vulnerability carry over to ‘There Will Come Soft Rains’, as it does not disappoint in its catchiness, hooks, lyrical content, and overall beauty. Patterson’s vocals sound almost angelic on ‘Light in Your Window’. There’s a longing in this song that is so relatable. Add to that an incredible 80s sounding synth keyboard, and you have pure perfection. For me, this is the standout track of the album.

In addition to a cool 80s pop vibe on ‘Light in Your Window’ and ‘Shelby Tell Me Everything’, she is able to achieve a funky blues vibe on ‘Out The Door’, an indie alternative vibe on almost like the Black Keys on ‘Sleeping Around’, and an almost singer/songwriter style on ‘Take It Easy’. You could almost say, there’s a little bit of everything on ‘There Will Come Soft Rains’.

On an album description sheet sent to WXAV, Patterson describes the songs as the album as: “…echo[ing] the surrender of starting over and failing and starting over again many times. I was hoping to convey the bittersweet peace of letting go alongside the courage to start again, being swallowed by fear and pain and coming out the other side stronger.” I couldn’t agree more.

If you are looking for an album of great indie-pop music with deeply personal lyrics, look no further than ‘There Will Come Soft Rains’. It’s one of my favorite albums of 2020. Also, read Bradbury’s short story. It’s incredible too.

1973: A Surprisingly Great Year of Solo Beatles Albums

1973 is typically not the year you think of when someone mentions great “Beatles” music. The band had been broken up for three years, and John, Paul, George, and Ringo were all well established in their solo careers. But what if I were to tell you that in 1973, each of them released an incredible album? Because that’s exactly what happened.

There was a total of five albums released in 1973. While a few of them are “lesser known” albums; a couple of them are pure masterpieces. Let’s take a moment and explore each one individually.

 Paul McCartney and Wings: Red Rose Speedway Released April 30, 1973.

The McCartney machine was in full swing as Sir Paul would release two albums in 1973, along with three of his most popular singles (C Moon, Hi, Hi, Hi, and Live and Let Die.) While Red Rose Speedway is not the most well-known of his albums, it does contain the song My Love. An incredible tribute to his wife Linda McCartney, My Love has gone on to become a staple at any McCartney show.

George Harrison: Living in the Material World Released May 30, 1973

Living in the Material World had the unenviable task of following Harrison’s masterpiece solo debut All Things Must Pass. Out of all of George’s solo albums, Living in the Material World is his most spiritual. With songs like: Give Me Love, Give Me Peace on Earth, Be Here Now, and The Day the World Gets Round, it’s like an open invitation from Harrison to join him on his spiritual quest for enlightenment.

John Lennon: Mind Games Released October 29, 1973

In my opinion, Mind Games is Lennon’s most underrated solo album. Recorded at a turbulent time in his life (the Nixon White House was working to deport Lennon and he had just separated from Yoko Ono), Mind Games finds John struggling to continue. Yet through all of this heartache, pain, and fear; Lennon crafts an album full of humor, beauty, and top-tapping music. Highlights include: Tight A$, Bring on the Lucie (Freda Peeple), and Out the Blue.

Ringo Starr: Ringo Released November 2, 1973

If there is one album from this list that you should go out of your way to listen to, it’s this one. Ringo puts together an album of great pop-rock songs that have stood the test of time. From I’m the Greatest to Photograph to Oh My My, Ringo is without a doubt the best solo album from Starr. Add to that, this album is the closet we ever got to a “proper” Beatles reunion album as John, Paul, and George all contribute to this incredible debut album.

Paul McCartney and Wings: Band on the Run Released December 5, 1973

What can we say about Band on the Run that hasn’t already been said before? It truly is a masterpiece. It’s one of the best albums of the 1970s and McCartney’s best solo album. It’ll get you rocking from the very first note, and hold you to the very last. And how could it not, with songs like: Band on the Run, Jet, Let Me Roll It, and Nineteen Hundred and Eighty-Five. This album is pure perfection.

And there you have it. The five albums each former Beatle released in 1973. If you have a moment, check them out. I promise you won’t be disappointed.

Audio Journaling During COVID-19

My Wonderful Audio Recorder

I decided to keep an audio journal during the Coronavirus outbreak.  I don't know yet what I'll do with the audio. I don't even know if I'm going to publish it. But I think it'll be an incredible artifact to have of what my life was like during this historical event, and have my real time thoughts and feelings discussed and heard. Could be something I share with my family in the future.

Selfishly, it also give me an opportunity to get behind a microphone, and stay sharp. I recorded my first entry about an hour ago, and these are the questions I'm going to focus on for each entry:

1. Any new developments and reactions to them.
2. How am I doing physically and emotionally. How is my family doing?
3. What's the overall experience been like?
4. Any thoughts or reaction as a whole to what has been going on, or towards to developments.

I think these questions will provide fertile discussion points for my audio journal.

Lost and Found Sounds: The Rise and Fall and Rise of Thomas Edison Part I

During these stressful and uncertain times, I've turned to podcasts as sources of entertainment and distractions. One series in particular has offered much needed reprise from the modern world, and I hope you'll give it a listen.

Davia Nelson and Nikki Silva, better known as the Peabody Award Winning independent producers 'The Kitchen Sisters', produced an incredible series entitled "Lost and Found Sounds", which aired on All Things Considered on NPR. Described on its website as "Richly layered tales chronicling people possessed by sound who shaped the sonic landscape of the nation."

I LOVE this series. I love it when storytellers are able to tell you a familiar story, but from a totally different and unusual perspective. That's exactly what "Lost and Found Sounds" is. Here's my favorite episode thus far, it's entitled: The Rise and Fall and Rise of Thomas Edison Part 1. 

Peter and The Case of the Mysterious Record

Working with my friend Rob is nothing short of an adventure. I never know what projects will come my way. All I know is that each will be unique, challenging, and fun. The last project is exactly that. For the second year in a row, the College Radio Foundation is publishing a fanzine for Vinylthon. The article I contributed this year is entitled: 'Peter and the Case of the Mysterious Record'. I had a blast writing it.

Sherlock Holmes and the Voice of Terror Photo Credit: Me

When I say vinyl records, most of us will immediately think of music. Let’s face it, music and vinyl records go together like grilled cheese and tomato soup, Chicago in the summer time, politics and corruption. Well what if I were to tell you that music on vinyl records is only half the experience?

A couple of years ago, I went record shopping with my best friend Rob. After hitting up my usual spots in the store, I wandered over to the little visited “Soundtracks/Sound Effects/ Spoken Word” section. You know the section I’m referring to. It’s the section in the store that gets all of the weird and unusual records that no one else wants.     

While thumbing through, I came across a copy of Sherlock Holmes and the Voice of Terror. I was intrigued. You see, this wasn’t a regular record. This was the actual movie, minus the pictures, obviously. Growing up with a father who is a die-hard Sherlock Holmes fan, I am very familiar with the films starring the character, and The Voice of Terror is one we both enjoyed. So for the low price of $1, I took the risk and purchased it.  

What transpired later that night when I went to play it can only be described as an auditory delight. As the record played and I listened to the movie, my imagination took over and guided me on a journey where the film became alive with action, adventure, drama, and friendship. The stakes were high, and only Sherlock Holmes and Dr. Watson would be able to defeat the villains and save England from inevitable defeat during World War II.

I was immediately hooked and began my journey in collecting unusual albums, including the rest of the Basil Rathbone Sherlock Holmes series. I discovered that vinyl records are so much more than great musical delivery devices. These pieces of plastic are powerful devices of imagination. The sounds they are able to produce enable their listeners to travel anywhere in the universe without having to leave the comfort of their living room. I don’t say this lightly, but I put them on par with the power of reading books. They are a gateway into your mind’s eye.

So the next time you are in your favorite record shop, why not wander over to that little visited section of spoken word, radio dramas, sound design, and movie soundtracks. I promise you, what awaits you is a whole new listening experience, one that only a record can bring to you.

A Love Letter to Radio: An Audio Essay Completed Version

I've been meaning to share this all month, but to say February has been busy would be an understatement. For that's for another story. What you'll find in this post may be the best audio piece I have ever produced. The stars really seemed to align and come together to produce something truly unique and special. From the variety of voices involved to Andrew Bird's music to this being played in the very room that wireless technology was created!!!

Frankly, if this were the last audio piece I were to ever create, I would be going out on a high note. I hope you enjoy it, as much as I do.